THE VOICE BEGINS WITH SIMULTANEOUS BREATH FROM THE OPEN MOUTH AND THE OPEN NOSE.
THE BREATH COMES TOGETHER AT 5&6, PASSES THROUGH THE EYE BALLS, ENTERS INTO HASHEM'S SPACE, AS THE TIPS OF THE EARS RISE, TURNS, CREATES SOUND AND VOWELS AND EXITS WITH THE INTENTION OF THE WORD.
THE SOFT PALETTE IS UP AT ALL TIMES.
THE TONGUE IS DOWN AT ALL TIMES.
THE THROAT IS OPEN AND OUT OF THE WAY AT ALL TIMES.
THE AIR TRAVELS DOWN THE COLUMN OF AIR INTO THE DIAPHRAGM.
THE DIAPHRAGM EXPANDS VERY SLOWLY WHEN YOU NEED IT.
THE PELVIC MUSCLES GO IN, RAISE THE AIR THROUGH OPEN THROAT, DROPT TONGUE, DROPT LARYNX, TO THE TOP OF YOUR TEETH, AGAIN TO KAVANA IN ORDER TO SPEAK.
THE INTENTION OF THE WORD PULLS THE TENSION OF THE AIR UPWARD AND BACKWARD.
YOU DO NOT N.O.T. MOVE SOUND.
YOU THINK SOUND, YOU SPEAK SOUND & IT WILL BE.
THE HIGHER THE NOTE, THE LOWER THE NOTE, THE FURTHER BACK AND UP YOU NEED TO BE.
THE MOVEMENT OF THE SOUND IS 100%, 1,000,000 % NOT IN THE THROAT, BUT ONLY IN ONE LINE UPWARDS & BACKWARD IN OPEN SPACE.
THE WHOLE BODY IS AT SERVICE TO HASHEM’S SPACE.
THE VOWELS ALL 5 OF THEM (BIG DEAL) ARE CREATED, FORMULATED IN THE SFIRA OF KETER BEHIND THE EYE BALLS AND EXIT THROUGH THE THIRD EYE PULLED FORWARD BY THE INTENTION OF THE WORD.
Dr. Miriam Arman, has a PhD. in vocal production. She is a lecturer, poet, fine artist, and author of several books including the bestseller The Voice: A Spiritual Approach to Singing. She currently lives in Brooklyn, New York.
In 2002, Dr. Miriam Arman PhD. told Cantor Gottesman, "Yosef, if you give me one year of your life, you will outsing Helfgott."